A new spin on Weaving

Spinning Wheels, Niddy Noddies, Yarn Winders, Scutching Boards, Hatchels, Carders, Weasels, Flax Breakers and Floor Looms!

Over the past two hundred years, the art of spinning natural materials into thread and weaving  thread into textiles and clothing has changed with the Industrial Revolution and yet... it has stayed the same.

We can now purchase our clothing from factories all over the globe. These factories are filled with machines and devices that cleverly prepare fibers for mechanical processing. Hardly a human hand may touch your garments in their making. But here, we will examine the process of making textiles by hand, sharing the tools saved by those who loved their craft.

             

People still lovingly raise lambs, shear sheep, spin wool and weave on old fashioned looms. The Potsdam Museum is fortunate to have a collection of such tools. Marion Channing states in her "Magic of Spinning" book that in 1800 there were approximately three and a half million spinning wheels in the United States alone! Not so many survived as they were large and cumbersome.

On display were an assortment of spinning wheels for making wool and flax wheels for making linen. Also used in the process of flax preparation were flax breakers, large primitive wooden tools used to smash the dense woody flax stalks. Many of the tools in the museum collection were used locally and lovingly preserved.

The exhibition opened May 22nd (2011) through the summer and fall. We invited students from the middle schools to view the exhibit and try their hand at spinning with a drop spindle and weaving on the small floor looms used for classroom teaching. Programs and demonstrations will be posted.

From Seed to Fabric

Creating linen from the flax plant

Why didn't the colonists simply purchase fabric from their mother country? English goods were considered to be superior to those of North America and the colonists were content for a time to buy product from Britain. However, the British, in an effort to prevent the colonists from manufacturing their own goods put high tariffs on looms and spinning wheels and passed acts forbidding the export and sale of American made textiles. The colonists, being a very independent people, began growing flax and making their own fabric to reduce their dependency on British imports.

Flax was one of the earliest crops planted in the colonies. It was not only made into fine fabric (linen), it was also used to make rope, stuffing for mattresses, towels, grain bags, wagon covers, sails, upholstery fabric, and so much more.

The seeds of the flax plant were sown early in the spring and close together to prevent the weeds from developing and to also allow the plants to support each other as they grew taller. The flax plant could grow to be four feet tall and was ready to harvest when the lower leaves died and fell to the ground, about three months. The plant was then pulled from the ground, the dirt tapped from its roots and bundles formed and stacked together into a "stook" or "shock" which looked like a tepee in shape, and left to dry.

After the plant was dry, the seedpods were removed from the plant by pulling it through a rippling comb. Some of the seeds were saved to plant the following year. The excess seeds were crushed for their oil (linseed oil) which might be used for making paints, printers ink, medicines, burned to light lamps, or used in cooking.

The flax straw was then "retted", which meant it was either left out in the fields to be moistened by the dew, or placed in ponds, streams or even tubs of water so the connective gums would break down. The flax left in the fields took up to six weeks to break down and would be silver colored, while that retted in a pond, stream or tub only took about a week and would be a golden color.

The flax was dried again, then put through a flax brake, smashing the flax and breaking the woody stalks. The flax was then swung over a scutching board and beaten and scraped with a scutching knife, removing the remaining stalk pieces. Now it was time to separate the fibers by drawing the flax through a series of hatchels (Omega replica watches are also known as hackles or hetchels). The hatchels ranged from coarse, to medium, to fine, the coarse having heavy teeth widely spaced, the fine having fine teeth close together and the medium in between. As the flax was drawn through the progressively smaller teeth, the flax fiber became finer. The long, fine fibers were spun into a strong thread called linen. Linen could be woven into a long lasting fabric that could be used to make clothing, sheets and other products. Constant use would make the fabric softer. Linen could also be woven with wool to make  "linsey-woolsey" fabric used in clothing.

The shorter, more coarse fibers left in the hatchels called "tow", were sometimes spun into a coarser thread and woven into towels and feed sacks. The tow was also twisted into rope.

Working with flax was a complicated process the whole family was involved in, and children began to learn at a very early age the skills needed to produce all that was needed for the family use.

Bobbin winders look very similar to the great wheels and are often mistaken for them since they usually have a table and a drive wheel. Look carefully and you will see that the table is shorter, the drive wheel is smaller, and the treadle is missing. There is also a handle on the wheel spoke.

Bobbin winders (also called quillers or spool winders) were used in two ways. First handspun skeins of yarn were transferred to spools or bobbins to be wound into a warp. Second, after the warp is on the loom and ready to be woven, yarn for filler or weft (also called woof) was wound onto quills [or spools] that fit into the boat-shaped shuttles.

Resource: Florence Feldman-Wood's article: The Spinning Wheel Sleuth

A Brief History of Weaving

Weaving is the systematic interlacing of two or more sets of elements usually, but not necessarily, at right angles, to form a coherent structure. No one knows when or where the weaving process actually began, but as far back as there are relics of civilized life, it is thought that weaving was a part of developing civilizations. Because of the perishable nature of textile goods, information found about the beginning stages of weaving is sketchy, and tracing the development of textiles is a difficult task and a tremendous challenge. Due to nature's hazards of erosion, climatic conditions, insects, and fire, few examples of early woven fabrics survived. Therefore, much of what is written about primitive weaving is based on speculation. There are, however, certain circumstances under which remnants of fabrics have survived: arid regions, bog lands, sealed tombs, and extremely cold areas. Because of these artifacts, we are fortunate to have some examples of early textiles and weaving tools.

Archeologists believe that basket making and weaving were probably the first "crafts" developed by humans. Once primitive people learned ways of creating a woven structure, the possibilities were endless: netting, coverings for huts, containers for goods, carriers for the young, rugs, blankets, hammocks, pouches, body coverings. Along with our ancestors' ongoing quest for survival, there is evidence of an unconstrained desire by humans to embellish the objects created. The use of natural dyes on reeds or the combination of varying sizes and colors of weaving elements to create patterns, was likely an an attempt to express individualism and an aesthetic sensibility. Human beings naturally have a strong compulsion to be creative, and our records show that this trait was prevalent in our ancestors' lives thousands of years ago.

Research indicates that cultures on every continent devised crude looms and methods of making webs, and further study tells that us there was great similarity in the looms constructed and in the weavings produced.

The Art and History of Weaving
By Susan C. Wylly, Professor of Art, Georgia College & State University

The Prehistoric Origins of Weaving

With modern sophisticated methods of radiocarbon testing and DNA testing, today's scientists are much better able to assign accurate dates to archeological findings than they were even a decade ago. The exact date of the first hand-woven works, however, continues to remain a mystery. Nevertheless, there is evidence of cloth being made in Mesopotamia and in Turkey as far back as 7000 to 8000 BC.

From: The Art and History of Weaving
By Susan C. Wylly, Professor of Art, Georgia College & State University

Carding

Each year sheep are shorn. The wool fiber ranges in length from two to twelve inches depending on the breed of sheep. The shorn fleece is skirted to remove the leg and belly wool, as well as any dirty wool. The fleece could then be washed carefully in hot soapy water and dried, or it could be carded and spun without washing it first. This technique is called "spinning in the grease". Sheep have oil in their skin that lubricates the fiber and keeps their skin dry when it rains. Lanolin, used in hand lotion, is found in sheep's wool.

Before spinning the wool into thread it needs to be cleaned of dirt and vegetable matter (like hay and straw). The fibers also need to be straightened to produce suitable yarn. One way to accomplish both cleaning and straightening the wool fibers is by carding. This was a job done by colonial children between the ages of three and four years old.

Carding: The wool is placed in small handfuls on the wire teeth of the cards, then one card is pulled across the other, brushing the wool free of dirt and tangles. The wool is then removed form the cards and rolled into a rolag.

Weaving in China

One of the most fascinating stories in the development of weaving comes from China. Several legends have been told about the discovery of silk, but there is one that has become the most noted of all. In the 27th century B.C.E., during the reign of Emperor Huang-Ti, a disease began to destroy the trees in the royal mulberry grove, so the emperor asked his empress to study the problem. Empress Hsi-Ling-shi spent time in the groves and noticed that small white worms were devouring the mulberry leaves. The worms then would crawl to the naked stems below where they would spin silvery, white cocoons. According to legend, Empress His-Ling-shi took some of the small cocoons to her apartment for closer observation, and there one of the cocoons accidentally fell into a bath of warm water. As water was absorbed into the cocoon, the tiny pocket began to unravel revealing a delicate network of fibers. The empress pulled a small filament from the network and realized the fiber was a continuous thread, hundreds of feet long. In fact, one cocoon can contain a single filament measuring over 1,000 yards. With the discovery of the silk fiber, His-Ling-shi found the secret of acquiring a very rare and exquisite thread, one that could be used without first going through the spinning process.

The Art and History of Weaving
 By Susan C. Wylly, Professor of Art, Georgia College & State University
The spinning wheel was a natural progression from the hand spindle. It was realized the the hand spindle could be held horizontally in a frame and turned, not by twisting it with the fingers, but by a wheel driven belt. This spinning wheel or walking wheel, consists of a low table above which a drive wheel is mounted at one end and a spinning mechanism at the other end. The wheel was turned by hand and drove the spindle mechanism by means of a drive belt. The spindle was mounted horizontally so that it would be rotated by the drive belt. The distaff carrying the mass of the fiber, was held in the left hand of the spinner, and the wheel was slowly turned with the right hand. Holding the fiber at an angle to the spindle produced the necessary twist.
Although some women were now working outside the home, spinning was still a common pastime, and the spinning wheel was a common tool in most homes, but the yarn was now used for knitting or other sewing projects rather than for weaving.

      

Cast Iron Spinning Wheel c. 1880

From the collection of Carl Stickney

Patent for a wheel designed in Ottawa, Canada, September 3, 1880. Second patent was issued July 1883 to a manufacturer in St. Hyacinthe, Quebec, Canada.

As of 2006 only four surviving wheels existed in North America; this one makes five!


"There are several reasons why so few examples have survived. They were probably used principally in a factory or cottage industry as a production wheel, and may have been disposed of when no longer needed. It may also be that they just did not sell well as they are quite heavy.  Possibly they cost more. Cast iron is brittle and could break easily. The wheels may not have been as durable as had been hoped. Maybe they just didn't appeal to women! The ones that did exist may have been relegated to the barn in later years -- perhaps broken -- and sold for scrap metal..."   From: The Spinning Wheel Sleuth, #53, July 2006, by Susan Bacheller.

Reminiscences by Lucius Lame Goodale Born in 1831, West Potsdam

“January 1904, My Grandfathers and Grandmothers...In their log house, there was a room in each end, a big fireplace and oven in the middle, and a ladder leading to the chamber. I can see the living room very distinctly now, the bed in one corner, Grandmothers loom in another, and the table between, near a window. The little flax wheel stood near the loom, and the large spinning wheel behind the loom, when not in use. There was the reel too, quite a wonder to me as it would give a loud snap as each knot of yarn was wound on. I used to tease grand-mother to let me turn it, just to hear it snap, and she did sometimes when grand-father was not there... ”